current exhibitions

Gallery One
Gallery Two
Gallery Three
Gallery Four
Night Projection Window

 

 

 

 

 

 

 

 

 

The documentary take Image

01.10.2016—13.11.2016
Gallery 3, 4 & Night Projection Window
Destiny Deacon and Virginia Fraser, Simryn Gill, Ponch Hawkes, Sonia Leber and David Chesworth, Louis Porter, Patrick Pound, Charlie Sofo and David Wadelton. Curated by Naomi Cass
The documentary take

Documentary photography and contemporary art are existentially quite distinct practices. Occasionally, with the passing of time, great documentary lifts from the contact sheet, the magazine page or the short print run book and finds its way onto gallery walls as art.

Presented within the context of Walker Evans: the magazine work, curated by David Campany, The documentary take invites the question, what aspects of documentary practice are seeping into contemporary art now? In his commentary and practice, Evans distinguished between documentary as a forensic practice and the 'documentary style', which he saw as art making.

With the exception of work presented by Ponch Hawkes and David Wadelton, the artists here—Destiny Deacon and Virginia Fraser; Simryn Gill; Sonia Leber and David Chesworth; Louis Porter; Patrick Pound and Charlie Sofo—are far from documentarians, yet all benefit from proximity to the foundational practice of Walker Evans.

While Walker Evans may or may not be influential on these artists, his work forms a language that is now background knowledge for the making of images about the world where, artifice aside, truth is at least relevant. Perhaps documentary practice enables contemporary art to "attend to the real" [i], without binding it to a utilitarian or forensic intention.

In attending to the real, the quest for the documentarian is to reveal something of the world, while that of the contemporary artist is to make meaning in and of the world.

i. Kyla McFarlane, “Attending to the Real: Documentary Photography Now”, 2005 Leica/CCP Documentary Photography Award, exh. cat., Melbourne, Centre for Contemporary Photography, 2005.

 

SUPPORTED BY


Walker Evans supporters

PUBLIC PROGRAMS

Walker Evans: Reading the Magazine Work
Friday 7 October, 2—6pm
International Symposium
CCP, 404 George Street, Fitzroy
Free | Bookings essential

Free Artist Talks
Saturday 8 October, 1—2pm
CCP, 404 George Street, Fitzroy

Sonia Leber & David Chesworth
The documentary take: perspectives on the real
12 October, 7pm
MPavilion, Queen Victoria Gardens
Free

 

Image: CCP Supporter logos