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11.07.2008—30.08.2008 Gallery 1
TIM SILVER
THE TUVALUAN PROJECT
A group of nine low-lying coral atolls and islands, Tuvalu is situated in
the remote Pacific.
The highest point reaches
just two metres above
sea level, and as such,
the island, its people
and their culture are
threatened by rising
sea levels caused by
global warming. In recent
years, journalists have
descended on Funifati,
the capital, when the 'king
tide'
hits annually in late
February, to report on
the 'front
line of climate change'.
In The
Tuvaluan Project Silver
presents a collision
between the site of Tuvalu
and Italian Cannibal
Cycle films. This genre
of exploitation films
from the mid-1970s to
early 1980s often featured
illogical narratives
and clichéd
representations of foreign
cultures in a surreal
mix of travelogue, found
footage and gore. Working
with a cast of non-actors,
Silver's constructed
scenarios, with little
interference into the
locations or wardrobe,
consist of a loose and
sometimes illogical photo-narrative.
The sequence of images,
appearing as film frames,
with a black band at
the top and bottom of
each image—a device that
mimics widescreen DVD
format, as Italian Cannibal
Cycle movies now most
commonly appear—are randomly
ordered, with the order
changing upon each installation,
thus further contributing
to the confusion of any
narrative thread. Offering
multiple interpretations
but no conclusion, the
artist invites audiences
to bring their own imagination
into play.
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